How is the world perceived by someone with depression? The animated immersive film uses virtual reality to address depression and the ways to cope with it. Director and protagonist Ondřej guides us through diverse landscapes associating the story of his struggle with depression since puberty. We share his feelings during the first depressive episodes at a family trip in his childhood, at university when striving for perfect results, at work in his everyday fights with the depressive “darkening”.

Jack, a former lighthouse keeper in the prime of his life, lives in isolation on his cliff-bound island, lost in the middle of the ocean. He leads a peaceful existence at the top of the island, surrounded by his home, the lighthouse and a small tree. It seems that Jack may be the last human being. One day, while fishing from the edge of the cliff, he accidentally encounters a large white pelican stranded on his island. A story of friendship begins, profoundly transforming Jack’s daily life.

The experience explores the loss of control. Using VR, it places the viewer in a state of frustration, helplessness, and disorientation, revealing the illusion of being fully in control of one's life. As the experience gradually breaks down through delay, misalignment, and glitches, grief emerges as a bodily condition. Set in a negative version of the real world, it becomes a space for better understanding oneself. Across seven chapters, it shifts from physical activity to contemplation.

A world is made of cubes. The creatures there always follow instructions and push cubes numbly. Yet, when one of them chooses not to follow the instructions after discovering another path, something unexpected happens.

A Virtual Reality experience that brings the Forest of Anykščiai to life through the world of Antanas Baranauskas's celebrated poem. Guided by the forest's inhabitants, viewers soar above the treetops, discover the rich diversity of wildlife on land and beneath the water, and witness the forest's changing moods from day to night. The experience reflects Baranauskas's vision of the forest's loss and his hope for its renewal.

A boiled egg on the plate. An ordinary word. A familiar sound. EYES OF SHAME places the viewer inside the mind of 14-year-old Eyeless in a hospital for troubled teenagers. When a Nurse forces her to eat the egg, unfinished memories begin to hijack the present. The viewer is carried through the fragmented flow of Eyeless's thoughts as they move between the hospital and her childhood.